Showing posts with label acting. Show all posts
Showing posts with label acting. Show all posts

Making a Leap - Theatre of Empowerment: A Practical Handbook for Creative Drama Work with Young People Review

Making a Leap - Theatre of Empowerment: A Practical Handbook for Creative Drama Work with Young People
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Making a Leap - Theatre of Empowerment: A Practical Handbook for Creative Drama Work with Young People ReviewI have been wanting to devise a performance piece with my 8th graders for years. This is a step by step guide on how to create your own play. It's fantastic.Making a Leap - Theatre of Empowerment: A Practical Handbook for Creative Drama Work with Young People Overview

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Film and Television Acting, Second Edition: From stage to screen Review

Film and Television Acting, Second Edition: From stage to screen
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Film and Television Acting, Second Edition: From stage to screen ReviewFILM AND TELEVISION ACTING by Ian Bernard
Reviewed by Academy Award and "Emmy" honored actor/writer/producer/director, Don Murray.
FILM AND TELEVISION ACTING belongs on the bookshelf of anyone who aspires to a career in motion pictures or is inquisitive about how the process of motion picture acting takes place. Author Ian Bernard, who has distinguished himself as an actor, writer, musical composer and director, adds to his well deserved laurels with this book that leads the actor through the technical steps and creative nuances of acting for both big screen and small.
Most actors begin their careers in amateur stage theatrics. No matter how competent their stage training may be, the transition to the screen can be disconcerting. Some aspects of screen acting make the transition easier: Voice projection, vital on the stage, doesn't come into play in screen acting. The "three quarters front" body position on stage is replaced by direct alignment, but exact positions become more vital in front of the camera, in order to remain in focus and within the lights. Much is made of "retakes" in film; if you don't get it right in take one there is take two, and twelve, and twenty if need be. But those extra takes are more often given to correct technical errors than to improve performance (especially in television where time restraints make compromise in the realm of performance common place).
Perhaps the most difficult aspect of switching from stage to screen performance is the lack of continuity in shooting a movie. One often performs the love scene before the scene where boy meets girl and since there is no build up of emotion that carries from one scene to another as on stage, the screen actor usually has to stimulate his emotions by his own solitary devices.
Mr. Bernard's book is a blueprint for building a bridge between stage and screen acting by providing theory and technique for making the transition.
For both aspiring screen actors and those of the motion picture audience who are interested in enhancing their enjoyment through a deeper understanding of the acting process, Ian Bernards's FILM AND TELEVISION ACTING belongs on the b ookshelf right next to Constantin Stanislavski's AN ACTOR PREPARES.Film and Television Acting, Second Edition: From stage to screen Overview

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Animated Performance: Bringing imaginary animal, human and fantasy characters to life (Required Reading Range) Review

Animated Performance: Bringing imaginary animal, human and fantasy characters to life (Required Reading Range)
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Animated Performance: Bringing imaginary animal, human and fantasy characters to life (Required Reading Range) ReviewThere are plenty of books written on character design, and there also plenty of books written on animation. What Nancy Beiman has done with her new book, "Animated Performance" is bridge these two aspects of animation production. This book shows that animation is more than just the technical aspects of timing, stretch & squash, walk cycles, etc (which have been covered in great detail by Tony White, Richard Williams, Preston Blair, and many others). Further, the book shows that character design doesn't just stop with the turnaround and the model sheet -- the true design of the character is shown in how it performs on the screen, otherwise it's just flat and mechanical.
The hefty volume is packed with detail and terrific, color artwork and delves deep into the art of bringing animated characters to life. What I like best about this book is that she spends a great deal of time focusing on non-human characters. Many other animation books focus on things like four-legged walks and similar topics for animals, but Nancy goes way beyond this and provides great instruction on making animals *perform*. And that's the real theme of the book -- performance! Not just acting, not just animating, but performing.
There are also lots of exercises so you can apply what you have learned. The best way to self-study is to draw draw and draw, and that's what these exercises get you doing, starting with a daily sketchbook and learning how to observe. The book is a large format and opens flat, so you can have out it on your lap or desk while drawing (the best way to study this book!)
This book applies to all animation styles, not just hand-drawn Disney-style animation -- the principles apply to 2D & 3D digital animation, stop-motion and cut-out animation, too. If you have the Richard Williams book, you need this one at your desk, too. Williams will teach you how to make your characters walk and run and stay on a bear, Beiman's book will teach you how to make your characters breathe and laugh or cry and make you care about them. Your animated characters will become memorable characters not with just what they say but what they *do*.Animated Performance: Bringing imaginary animal, human and fantasy characters to life (Required Reading Range) Overview

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Acting for the Camera: Revised Edition Review

Acting for the Camera: Revised Edition
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Acting for the Camera: Revised Edition ReviewThe first two sections of the book alone increased my abilities in front of the camera 100%. It became that I would read it over each week on my way to acting class. Tony Barr examines all areas of acting, tools, preparation, working on set and putting what you have learned into practice. It is to the point, intelligent and easy to read. It is a book to be studied, underlined and reread. I really feel it is a must for anyone wanting to act in front of a camera, regardless of your talent level.Acting for the Camera: Revised Edition Overview

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