Prepare to Board Creating Story and Characters for Animated Features and Shorts Review

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Prepare to Board Creating Story and Characters for Animated Features and Shorts Review"Prepare to Board" covers most pre-production aspects of an animation project, but focuses mostly on storyboarding and character design. This book does a better job on both these subjects than most other books can manage on just one.
A lot of storyboarding books out there focus on the live action or advertising methods where boards are used to illustrate an existing script a sell a rough concept to non-creative executives. The methods Nancy Beiman shows are far better suited to animation's use of storyboards to create the story itself.
Along with guidelines on how to increase the cinematic storytelling power of your boards, there are also plenty of tips on how to get that power across when presenting boards to others.
When it comes to character design, "Prepare to Board" is up there with Tom Bancroft's "Creating Characters with Personality: For Film, TV, Animation, Video Games, and Graphic Novels" as one of the few indispensable resources on the subject. All of her advice is aimed at making your character designs more functional for animation & storytelling (the most important asset of any character) as well as being unique individuals rather than stock characters.
The lessons Beiman shares in this book are exactly what you need to build a strong foundation for any animated project.Prepare to Board Creating Story and Characters for Animated Features and Shorts Overview

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Drawing Made Easy: Dragons & Fantasy: Unleash your creative beast as you conjure up dragons, fairies, ogres, and other fantastic creatures Review

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Drawing Made Easy: Dragons & Fantasy: Unleash your creative beast as you conjure up dragons, fairies, ogres, and other fantastic creatures ReviewI purchased this book with the presumption that it would actually make the drawing of fantasy creatures easier than I normally found it, given that the title directly states "Drawing made easy". HOWEVER, in order for beginners with little to no previous experience to truly understand any of the drawing steps after the third or so, you pretty much need to buy the other books in the series (as advertised on the inside jacket) because they use techniques or skills that, should you not understand them, will leave you just as confused as before.
Now for those with previous experience, depending on your degree of skill and what techniques or art-terms you know, this could in fact be a fun book to learn from. But the fact that it gives the appearance of a beginner's book takes away from this fact. Overall, the book is more for intermediate users.Drawing Made Easy: Dragons & Fantasy: Unleash your creative beast as you conjure up dragons, fairies, ogres, and other fantastic creatures Overview

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Visible Signs: An introduction to semiotics in the visual arts (2nd edition) (Required Reading Range) Review

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Visible Signs: An introduction to semiotics in the visual arts (2nd edition) (Required Reading Range) ReviewThis book aims to be a kind of "Theory for Dummies" book you won't be embarrassed to be seen reading in public. The text is a concise, grab bag collection of semiotics and cultural theory for graphic designers. In the place of the cartoons you'll find in books like Introducing Semiotics, however, Visible Signs is filled with photos and examples arranged in attractive layouts.
While some of the visual examples are helpful, many exist primarily as signifiers of taste. The illustration of the dog next to the caption on Foucault, for instance, has nothing to do with Foucault or "gender-dominated practices." It's there to enhance the overall look and feel of the text. The entire text, then, becomes an unintentional illustration of Bourdieau's claim (described here and there) that certain modes of taste are legitimized by a discontinuity between art and life. The images here are less about explaining, and more about exercising cultural heft. In this way, Crow draws from the authority of tasteful image-making practice even while seeking to demystify the process of cultural production.
Vital Signs is an easy-to-read overview of ideas, more like an annotated bibliography or an expanded masters thesis. As such, it's a good starting point for research on scholars or theories that might appeal to graphic designers. The central irony of the book is that the while the layouts show an understanding of tasteful visual conventions, the author is unable to transcend these conventions. The layouts come across as the work of someone who is attuned to weight of cultural tradition and value--even while remaining beholden to it.Visible Signs: An introduction to semiotics in the visual arts (2nd edition) (Required Reading Range) Overview

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