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Creating Dynamic Forms with Adobe LiveCycle Designer Review

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Creating Dynamic Forms with Adobe LiveCycle Designer ReviewThis is the book that should have been included with Adobe LiveCycle Designer! It takes you step-by-step through the process of designing a and creating an interactive form and explains how to add scripts using both Adobe's Form Calc and JavaScript. First it goes through an overview of the software interface and explains the differences between different form types. Chapter 2 provides a discussion of basic design concepts and considerations for making forms readable and user-friendly. Don't skip that chapter - there's lots of great suggestions there! Next the book shows you how to create a form and incorporate all the built-in objects and tools like fill-in fields, menus, and buttons. There's also a section explaining master pages, body pages and most importantly sub-forms which are the real key to getting the most out of the software. Chapter 4 has all the basics for adding functionality with JavaScript and Form Calc. The explanation here is very straightforward and easy to follow, especially for a non-computer person like me. There are tons of examples in the text and Mr. Terry has provided a link to download all the forms he created and discusses, including several examples linked to xml data files that you can use as a starting place to make your own. In chapter 5, he shows you how to use the forms to enter and collect data, including very understandable examples of what should happen when you take various actions. Finally, the last chapter provides sample scripts for common tasks and explains how and why they work. Use this book as a workbook - go through the examples and sample files and you will be well on your way to creating very useful and functional forms. I tried using the tutorials that came with the software, but felt like I had only scratched the surface of knowing how to use LiveCycle Designer. This book filled an essential gap in my knowledge. I find a lot of computer books virtually incomprehensible, but Mr. Terry's writing style makes this book very easy to read and use. Never thought I could get excited about making a form, but the software is really pretty cool and this book helped me find that out. Highly recommended!!!Creating Dynamic Forms with Adobe LiveCycle Designer Overview

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The Business Analyst's Handbook Review

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The Business Analyst's Handbook ReviewThis book has solid reference material that experienced Business Analysts can utilize on virtually any assignment. This is not the best book for a new Business Analyst and is really geared towards a practitioner that understands their craft and appreciates additional guidance. Coverage of techniques and models is very comprehensive.The Business Analyst's Handbook Overview

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Identifying Hidden Needs: Creating Breakthrough Products Review

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Identifying Hidden Needs: Creating Breakthrough Products ReviewMost experts fail to explore the foundation of innovation: research. Authors Keith Goffin, Fred Lemke and Ursula Koners believe most new products fail because they are not based on research that uncovers consumers' "hidden needs." Developing new offerings based on the data produced by outdated research methods is like trying to cook a gourmet meal with inferior ingredients. The authors try to put a human face on ethnographic research by supplying several case studies per chapter, but that does little to relieve the dry and technical nature of the subject matter. The text is not for the casual reader. For market researchers and product developers, however, getAbstract believes this treatise will offer new, worthy ideas and methods presented in a variety of formats with charts, graphs, grids and more.Identifying Hidden Needs: Creating Breakthrough Products Overview

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The Graphic Designer's Guide to Pricing, Estimating, and Budgeting (Third Edition) Review

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The Graphic Designer's Guide to Pricing, Estimating, and Budgeting (Third Edition) ReviewGraphic Designer's Guide to Pricing, Estimating & Budgeting offers a fine survey on how to create a profitable graphic design business. It comes from a designer who covers everything from handling competition to managing budgets and this third edition has been updated to include more information on time management, Web considerations and multimedia pricing, and more. Designers simply must have this business guide!
The Graphic Designer's Guide to Pricing, Estimating, and Budgeting (Third Edition) Overview

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Architect's Essentials of Negotiation (The Architect's Essentials of Professional Practice) Review

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Architect's Essentials of Negotiation (The Architect's Essentials of Professional Practice) ReviewThis book is critical reading for architects as well as landscape architects, interior designers, engineers, and contractors. The ability to negotiate effectively is a make or break component in successful project and practice management given the complexities of project design and delivery. The results of an empirical study of architects conducted by the National Council of Architectural Registration Boards (NCARB) in 2007, for example, indicates a need by architects to enhance their knowledge and skills in the business side and construction administration of professional practice including contracts, risk management, conflict resolution, etc. The Architect's Essentials of Negotiation provides indispensible guidance in a clear and highly engaging way to achieve win-win outcomes for clients and the professionals they engage.Architect's Essentials of Negotiation (The Architect's Essentials of Professional Practice) Overview

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The Interior Designer's Guide to Pricing, Estimating, and Budgeting (Second Edition) Review

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The Interior Designer's Guide to Pricing, Estimating, and Budgeting (Second Edition) ReviewOne of the hardest things to learn about interior design, or any other service industry is that the only thing you have to sell is your time. To do this in a profitable manner, you need two sets of skills.
The first is the one you know about. You've got to find customers, you've got to do the job they want done and you've go to make them happy. This is probably the job you've trained yourself to do through experience, through training, and through the basic aptitude that you had to get into that business in the first place.
The second job is harder. You've got to realize that you are a business manager. You need accounting (to keep your business partner the IRS happy). You need to develop a busines plan, budgeting, etc. You need to know how to prepare and send out bills and how to handle the money when it comes in. And the most critical of all, telling the customer what your effort is going to cost him.
In this book Mr. Williams gives an excellent introduction on how to do these critical things. He also includes enough war stories from his past to give you the understanding of how he learned these things.
I really enjoyed his page one story of starting his own company: sold his car so as to eliminate the payments, crammed his office into his bedroom, paid off all credit cards, in general reduced his expenses to a minimum. When I started I did almost exactly the same: I had a very tiny kind of dumpy house in not too good a neighborhood - but no payments. I had an ancient vehicle - but no payments. Like with him, I was profitable the first month, but you had best not bet on it.
Mr. Williams has been there, done that, walked the walk. His book makes excellent sense.The Interior Designer's Guide to Pricing, Estimating, and Budgeting (Second Edition) Overview

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The Practical Guide to Information Design Review

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The Practical Guide to Information Design ReviewWe've given this book the "EDITOR'S CHOICE" award in DTG Magazine and [...] because of its importance to designers and visual communicators.
As graphic design made the transition into information design, and culture evolved from the information age into the knowledge age there have been only a few books that rise to the status of milestones. The Practical Guide to Information Design is one of those milestone books that anyone in the visual communications field is obligated to read, learn and understand.
In this book, Ronnie guides the designer through the analytical processes necessary to dissect large quantities of information into logical "gulps", and then organize it so readers can clearly utilize the information towards the intended goals. Her writing combines strength with sensitivity, with references and supporting matter all along the way.
Fred Showker, Editor/Publisher, DTG MagazineThe Practical Guide to Information Design Overview

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Visible Signs: An introduction to semiotics in the visual arts (2nd edition) (Required Reading Range) Review

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Visible Signs: An introduction to semiotics in the visual arts (2nd edition) (Required Reading Range) ReviewThis book aims to be a kind of "Theory for Dummies" book you won't be embarrassed to be seen reading in public. The text is a concise, grab bag collection of semiotics and cultural theory for graphic designers. In the place of the cartoons you'll find in books like Introducing Semiotics, however, Visible Signs is filled with photos and examples arranged in attractive layouts.
While some of the visual examples are helpful, many exist primarily as signifiers of taste. The illustration of the dog next to the caption on Foucault, for instance, has nothing to do with Foucault or "gender-dominated practices." It's there to enhance the overall look and feel of the text. The entire text, then, becomes an unintentional illustration of Bourdieau's claim (described here and there) that certain modes of taste are legitimized by a discontinuity between art and life. The images here are less about explaining, and more about exercising cultural heft. In this way, Crow draws from the authority of tasteful image-making practice even while seeking to demystify the process of cultural production.
Vital Signs is an easy-to-read overview of ideas, more like an annotated bibliography or an expanded masters thesis. As such, it's a good starting point for research on scholars or theories that might appeal to graphic designers. The central irony of the book is that the while the layouts show an understanding of tasteful visual conventions, the author is unable to transcend these conventions. The layouts come across as the work of someone who is attuned to weight of cultural tradition and value--even while remaining beholden to it.Visible Signs: An introduction to semiotics in the visual arts (2nd edition) (Required Reading Range) Overview

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